For the Good Times

A warm, coffeehouse-ready collection of covers of country and Americana, "For the Good Times" sounds as unpretentious, fine-tuned, labored-over and relaxed as the Little Willies' 2006 self-titled debut.

These covers blend together with grace and ease. There is a sense of joy that permeates the record because this is not stiff, people-pleasing fare. Rather, Norah Jones and company cut loose and sink their teeth into these wonderful tunes written by Kris Kristofferson, Dolly Parton and Johnny Cash, among others.

Jones and Richard Julian sing with only the necessary passion in service of the material; no affect is necessary. Whether it's the dark, chugging "Diesel Smoke, Dangerous Curves" or Ralph Stanley's lovesick, sugary "I Worship You," the emphasis remains on tight, well-oiled musicianship - playing music in pursuit of that ever-elusive perfect take.

Parton's brooding, paranoid "Jolene" is particularly rapturous in Jones' hands, and Lee Alexander's...Read more

"For The Good Times" is mostly an album of covers of classic country tunes. Norah Jones and her band mates sound superb. They make these tunes sound new. "I Worship You" is the happiest song about a relationship gone bad. This song has a hoe down feel that puts me in a good mood. The title track is a reminder that life goes on even though two people are not in love any more. This song has a pretty tone to it. "Fist City" is an upbeat tune about a woman defending the man she loves. Norah Jones sounds feisty and spirited on this song. This song is simply groovy. "Jolene" is another classic gem about a woman trying to hold on to her man, while she is at the mercy of another woman. This song is very moving. I love the differences in the tone of these two songs.. "Tommy Rockwood" is the only original composition here. Band member Jim Campilolongo showcases his talents on the guitar here. The musical arrangements on this song are superb on this instrumental track. Band member...Read more

This is a fine album. The first album was great, but somehow this one shows the maturity of all the artists, particularly Norah. Her singing and piano playing are both delightful and a little deeper. There's some truth behind these renderings, making this more than just a romp through classic country songs. Anyway, very enjoyable, wish it were a few songs longer, and I hope we don't have to wait four more years for another one!