1. Eddie Stubbs Intro 2. Orange Blossom Special 3. No Hard Times Blues 4. Homesick 5. Shuckin? The Corn 6. The Whiskey Ain?t Workin? Anymore 7. Mr. John Henry Intro 8. Mr. John Henry, The Steel Drivin? Man 9. Uncle John?s Intro 10. Train 45 11. Josh?s Joke 12. The Great Speckled Bird 13. Sure Wanna Keep My Wine 14. Walk Like That 15. Hilbilly Rock
Amazon.com
Acoustic interplay generates an electric charge as guest musicians join Marty Stuart and his Fabulous Superlatives for a concert that puts the pedal to the metal of bluegrass tradition. The hometown crowd at Nashville's Mother Church of Country Music (the same stage on which a 13-year-old Stuart made his Ryman debut accompanying Lester Flatt on the mandolin) spurs the band to peak intensity. With stellar support from fiddler Stuart Duncan and banjoist Charlie Cushman--and a guest appearance by master Dobroist Josh Graves--Stuart and band explore and extend the dynamics of bluegrass, from familiar fare such as "Orange Blossom Special" and "The Great Speckled Bird" through the harmony-laden balladry of "Homesick" and the honky-tonk heartbreak of "The Whiskey Ain't Workin' Anymore" and "Hillbilly Rock," with the latter providing the closing kick to a particularly lively evening. --Don McLeese
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Live at the Ryman
- Audio CD: 0 pages (2006-02-07)
- Publisher: Universal South
- Label: Universal South
- Format: Live
- Studio: Universal South
- Average Customer Review:
based on 7 reviews
- Sales Rank in Music: #10298
Avg. Customer Review:
2 of 2 people found the following review helpful:
Customer Rating: 
Summary: Solid - but wanted more 2006-07-28
Comment: Marty puts out another solid CD, he's always been one of my favorites. But the CD only has 11 songs, 40-42 minutes. Being a live CD, they could have put another half dozen songs on it.
6 of 7 people found the following review helpful:
Customer Rating: 
Summary: A sturdy, confident project with raw energy and brash attitude 2006-05-15
Comment: Playing Time - 42:42 -- It's been a number of years since I caught Marty Stuart live at a bluegrass festival at the Frontier Ranch near Columbus, Ohio. At the time, I thought his show was a little too country with its electric guitars and drums, but he was still very well received by the large crowd in attendance. This live bluegrass album is a very welcome acoustic treat that takes the consummate entertainer back to his professional bluegrass roots that first began after he heard Bill Monroe & The Sullivan Family at the Natl. Guard Armory in Jackson, Alabama in 1970. By 1972 (at age 13), the Mississippi native was playing mandolin and lead guitar with Lester Flatt & the Nashville Grass. Lester affectionately called him "Little Marty Stuart." After seven years with Lester, he spent six with Johnny Cash. Marty's also worked with Bob Dylan, Crystal Gayle, Anne Murray, Jerry Lee Lewis, Carl Jackson, The Sullivan Family, Travis Tritt and many others.
Since joining the Grand Ole Opry in 1992, you might catch Marty with his own band, with "The Opry Bluegrass Band" (with Ricky Skaggs, Alison Krauss, Vince Gill & Earl Scruggs), or with the old-time "Tennessee Mafia Jug Band." The versatile Stuart has found his niche on Hillbilly Rock Road that traverses both bluegrass and country territory. On this album, his signature "Hillbilly Rock" closes the set that took place on July 24, 2003 at the historic Ryman Auditorium in Nashville. Marty had just finished touring the nation with his "Electric Barnyard Tour," and he'd somewhat forgotten that he'd agreed to doing a bluegrass show at the Ryman. No matter because fiddler Stuart Duncan, banjo-player Charlie Cushman, dobro-player Josh Graves, and emcee Eddie Stubbs were only a few phone calls away and more than willing to join Marty's Fabulous Superlatives with Kenny Vaughan (guitar), Harry Stinson (snare drum), and Brian Glenn (bass). Marty admits to not having the time to rehearse much or get serious about anything so the group agreed to pick and sing "marquee level songs with a built in fun factor." It wasn't planned for the sold-out concert to be recorded, but after the fact Marty felt that it was magical from the first note to the last. Thus, it was decided to share it with us on CD. Maybe that's why "Live at the Ryman" follows so closely after his "Soul's Chapel" and "Badlands" album releases since the summer of 2005.
"Live..." conveys a great deal of bluegrass spirit and drive. Often, the very best `grass is played in jam sessions, and these Nashville cats knew exactly how to light the fire. That's where chutzpah kicks in. Marty was clearly in charge, directing the arrangements, and encouraging his sidekicks. The real treat is in hearing the individual instrumentalists tear up standards and impart their own personalities to the likes of Orange Blossom Special, John Henry, Shuckin' the Corn, Train 45, and The Great Speckled Bird. Some of Stuart's hits such as "The Whiskey Ain't Workin' Anymore" and "Hillbilly Rock" are given hard-drivin' bluegrass treatment. Great pickers also know how to impart drive to slower-tempo'ed tune, and mandolin players should really enjoy Marty's licks on "No Hard Times Blues." I was surprised that the liner notes don't credit Marty with any vocals. The notes are remiss in not acknowledging songwriters. A few little things aside, "Live at the Ryman" is a sturdy, confident project with raw energy and brash attitude. Marty and his buds keep the bluegrass coming at full throttle. Kudos to Les Banks for a fine job recording this show. (Joe Ross, staff writer, Bluegrass Now)
2 of 2 people found the following review helpful:
Customer Rating: 
Summary: Great Music 2006-05-07
Comment: Marty is a wonderful musician and artist. To hear such great music produced live without the help of the studio and electronics is fabulous. This is what music should be, especially country music. Let's get back to being real.
3 of 6 people found the following review helpful:
Customer Rating: 
Summary: LIVE AT THE RYMAN 2006-02-27
Comment: Looking for real bluegrass, then you won't like live at the ryman.Marty is taking bluegrass in the same direction that he has taken his country recordings. It should be titled grass that rocks
9 of 9 people found the following review helpful:
Customer Rating: 
Summary: The Master At Work 2006-02-16
Comment: Marty's music has always been rock and roll, country, bluegrass, honky-tonk, rockabilly and blues all rolled up in one package. These songs are no different. He is a Master musician, artist and singer. The next best thing to being at the Ryman and seeing him live is this record. This is Marty at his best. He gives it his all and you can hear it in his music. Surrounded by other greats such as Stuart Duncan, Charlie Cushman, Josh Graves, Eddie Stubbs and the Superlatives it doesn't get any better than this record. If you want to hear what country music should sound like, buy this record.
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